Old Masters' paintings were mostly brown because earth colors were the only lightfast pigments available. Found all over the earth in various shades of brown and muted shades of red, orange, yellow and green, earth colors have been on artists' palettes for more than 40,000 years. At the special request of Nathan Olivera, Robert Gamblin formulated a contemporary version of Asphaltum that is true to its historic working properties but, unlike traditional formulations, is both lightfast and permanent. Gamblin's version, much to Olivera's delight, captures not only Asphaltum's qualities but also its "earth energy. Burnt Sienna: Natural calcined (roasted) earth pigment. More opaque today than 200 years ago.
For greater transparency, consider Gamblin Transparent Earth Colors and Van Dyke Brown. Pigment: Calcined natural iron oxide (PBr 7) Vehicle: Alkali refined linseed oil. Burnt Umber: Vigorous drier due to high manganese content. Burnt Umber is useful as an underpainting drawing color. Because of high oil content, use thinly in under layers. Raw Sienna: Traditional earth yellow glazing color, originally mined in Tuscany. Consider using Gamblin Transparent Earth Yellow for more transparency.
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